A smiling woman in black top and purple pants stands with one foot on a wall, in front of large abstract paintings in a studio. She has a tan shoulder bag and wears pink nail polish.
Containers filled with used oil pastels in various broken and worn condition, with colors including pink, yellow, green, black, and blue, some with visible labels and barcodes.
A person organizing bottles of paint and art supplies in a white cabinet in an art studio.
Person pointing at a partially painted abstract artwork on a large white canvas. The scene is in an art studio with paint bottles and supplies visible.
A person holding a paintbrush and painting on a piece of paper on a wooden table. There is a crumpled paper towel with paint on it nearby.

A look into my creative world.

My work is rooted in a deep love of color, texture, and movement—elements that allow me to express emotion in ways words often can’t. I paint primarily with acrylics, layering them with chalk and oil pastels to create depth, contrast, and a sense of lived-in texture.

Although much of my process is intuitive, I’m constantly focused on finding balance—between softness and strength, chaos and calm, boldness and restraint. My studio is a place of experimentation and discovery, where each painting becomes its own dialogue.

A recurring theme in my work is the abstracted female form. I’m drawn to exploring untraditional beauty, celebrating the fluidity, complexity, and quiet power found in feminine energy. These forms emerge not as literal figures, but as impressions—gestures that hint at presence, perspective, and story, inviting the viewer to create their own narrative on the piece. 

I paint women because I am one. Aging, changing, caught in the middle of things, beautiful in ways that don't always get named. My figures aren't idealized. They are real, the way a body is real when it's yours and you've been living in it a while.

I hope my work allows viewers to feel something personal—whether it’s connection, curiosity, or simply a sense of peace.